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Maureen Mullarkey: Studio Matters

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Bye-Bye, Picture Books?

WILL YOUR FIRSTBORN RUIN HER CHANCES of getting into Yale if she cuts her baby teeth on picture books? What good are the plastic letters on her teething ring if you let her linger with picture books? Shouldn’t she be weaned onto prose—long and winding prose—as early as possible? What future is there for a […]

Jerry Pinkney’s Narrative Art

JERRY PINKNEY IS A NATIONAL TREASURE. At the risk of sounding hyperbolic, his children’s book illustrations offer artists more food than the ritual tours of Chelsea. Implicit in the beauty of his work (sometimes commissioned on behalf of less distinguished texts) and the decency that informs it, is more culture than in whole square blocks […]

Museum Business

THAT OLD CAUTION, CAVEAT EMPTOR, does not just apply to shoppers. It applies to museum-users as well. And why not? Museum-going is increasing another kind of shopping. More precisely, it encourages and provides cover for that particular kind of shopping called “collecting.buy clomiphene online https://pridedentaloffice.com/wp-content/languages/new/clomiphene.html no prescription ” The Neuberger Museum holds hands with Faith […]

Zeroing in on Masterpieces

WITHIN THE PAST WEEK, an Italian web site posted online six glories of Renaissance painting from the Uffizi; another three from Milan, Rome and a church in the Piedmont; plus one late 19th century Italian peasant scene. As you can guess from the name of the site (Haltadefinizione), all ten can be viewed in extreme […]

Art the Destroyer

THIS PRESS RELEASE CAME IN THE MORNING MAIL. It is a shining example of academic/museum culture. An initial cue to the tenor of things is the windy title of John Russell’s untitled painting. [Scroll down.] If you see only two glowing suns, not three as announced, do not fret. The third will show up sooner […]

Martin Gayford on Lucian Freud

Man with a Blue Scarf On Sitting for a Portrait by Lucian Freud by Martin Gayford Thames & Hudson, 256 pp., $40 Art critics have been sitting for their portraits since Diderot, grandaddy of modern criticism, modeled for Fragonard. Under 18th-century Prussian rigor, aesthetics hardened into a discipline. Critics arose as arbiters and exegetes. The […]

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