Last month, in honor of the Vatican’s World Day for Migrants and Refugees, Pope Francis unveiled a three-ton shrine to migrants in St. Peter’s Square. Lumpen and inert, the addition is no surprise. Less and less is art conceived or promoted in terms of aesthetic value. It has become a form of advocacy journalism. Even in the Vatican, a repository of centuries of cultured achievement, political significance is the primary measure of artistic significance.
St. Peter’s spanking-new monument squats in proximity to the luminous twin fountains by Carlo Maderno and Gian Lorenzo Bernini. Continue Reading
