Michael Quenot, an authority on the art and Orthodox theology of icons, insists on the primacy of two dimensional images in the visual expression of religious conviction. In The Icon: Window on the Kingdom, he wrote that the two-dimensional iconographic image is “more accessible to mystery.” It is an irritating point to anyone who marvels at the possibility, attested to by modern physics, that we live in ten, possibly eleven, dimensions. We experience three of them—height, length, depth—directly through our senses. Continue Reading