The identity politics industry is on the qui vive to discover symptoms of racism unrecognized until now. Whiteness, a barrier to racial justice, is a malign condition to which “white” people are peculiarly susceptible. Hidden clues are everywhere. None are too absurd to go unexamined by race-stalkers in academia. Even white paint is suspect. Are there racist implications to the many global uses of the chemical compound titanium dioxide (TiO2)? Has the pigment derived from it — titanium white — contributed to white supremacy? Continue Reading
Harrison Butker kicked the winning field goal for the Kansas City Chiefs at Sunday’s Super Bowl. He is also militantly evangelical in his devotion to the Latin Mass. Put that in the Vatican chimney and smoke it at the next conclave. I have never watched a Super Bowl game, never knew the teams, never cared which of them won or lost. But this kick came to me the next day and has stayed with me for reasons not limited to football. Continue Reading
Holidays are for reading. Everything slows on a three-day weekend. It gives us time to read those titles that call to us as we rush past them on an ordinary day. That’s the old reading technology, the kind I love to surround myself with. Then come the blog posts waiting at the bottom of a string of bookmarks in one browser or another. In some respects, the greatest urgency attaches to these. They exist in the ether and might not be there when I want them. Continue Reading
George Tyrrell remains too-readily dismissed as a heretical figure in the modernist controversy. He revered Mary as the sign and summit of contemplative life. Conversely, Pope Francis is on a tear to strangle the Church’s contemplative orders. This December 8, the Feast of the Immaculate Conception, seems a fitting time to honor Mary with the words of Fr. Tyrrell written eight years before his expulsion from the Jesuits. Unlike our present pope, Tyrrell lauded the transcendent grace of cloistered distance from the endless vicissitudes of the world. Continue Reading
Veterans Day has lost its sting. The seismic shock of World War I reverberated through American art and culture in ways forgotten now. Yet every generation needs to stare into the chasm between the cataclysm’s ambition—”the War to end all wars”—and its harrowing reality. Forgetful people embrace the illusion that this time, this battlefield, this clash of arms—especially one waged by proxy with someone else’s blood—will be the one to make the lion drop at the foot of the lamb.   Veterans Day brings to mind John Singer Sargent’s Gassed (1918-19), an anguished  glimpse of the human cost of that enduring deception. Continue Reading
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